A fresh look at the Eastern origins of Christopher Wrens architectureIn this revelatory study of one of the great architects in British history, Vaughan Hart considers Christopher Wrens (16321723) interest in Eastern antiquity and Ottoman architecture, an interest that would animate much of his theory and practice. As the early modern understanding of antiquity broadened to include new discoveries at Palmyra and Persepolis, Wren disputed common assumptions about the European origins of Classical and Gothic architecture, tracing these building traditions not to theGreeks or Germans but to the stonemasons of the biblical East. In a deft analysis, Hart contextualizes Wrens use of classical elementscolumns, domes, and cross planswithin his enthusiasm for the East and the broader Anglican interest in the Eastern church. A careful study of diary records reappraises Wrens working relationship with Robert Hooke (16351703), who shared in many of Wrens theoretical commitments. The result is a new, deepened understanding of Wrens work.Distributed for the Paul Mellon Centre for Studies in British Art